Agenda: music, nightlife and museums and exhibitions in Ostend

You searched for: muziek nightlife musea en tentoonstellingen
57 resultaten

The Dire Straits Experience

Where:
Kursaal Oostende
When:
Thu 10 Dec 2020

The acclaimed live show from former Dire Straits touring member Chris White brings the music of one of the most creative and unique bands in rock history back to life. Over 25 years have passed since Dire Straits disbanded, leaving a catalogue of some of the finest compositions and musical performances that the heyday of rock ever produced. If anything, their reputation has only grown with time. Record sales of more than 125 million albums continue to increase as new young fans discover the music and join the band’s massive worldwide following. A trend that is echoed in their 2018 inauguration into the Rock ‘n’ Roll Hall of Fame. It was against the backdrop of a two-decade break – and an increasing demand to hear one of the most dramatic songbooks in rock history played live again – that former members of Dire Straits, Alan Clark, Chris White and Phil Palmer formed The Straits for a charity show at The Royal Albert Hall in 2011. With the prolific Knopfler enjoying an incredibly successful solo career, Alan Clark called upon the singer songwriter, Terence Reis to front the band in his absence. By the time The Straits ended, three and a half years later, the band had played more than 150 shows in 25 countries around the world. However, an invitation to play a series of shows in New Zealand and Australia saw Chris White and Terence Reis collaborating again for The Dire Straits Experience. Joining them is a stellar band of some of the finest professional musicians the UK has to offer.

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Don Kosakenchor Russland

Where:
Kursaal Oostende
When:
Sun 13 Dec 2020

These Russian vocalists belong to one of the world's most famous choirs and perform folk songs that make the heart beat faster. In addition to the 20-man choir, the 6-member Instrumental Soloists Ensemble "Philarmonia" will play authentic Russian folk instruments and accompany the choir.

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Nights on Broadway - A Tribute to the Bee Gees - Performed by Night Fever

Where:
Kursaal Oostende
When:
Fri 18 Dec 2020

Nights On Broadway presents a tribute to the Bee Gees through their catalogue of hits over four decades from the 1960s to the 90s. The fully live band blend the classic hits, acoustic medleys and dance floor fillers which define the show. This is a totally live concert experience which prides itself on musical, in particular vocal authenticity, while the accompanying costume changes compliment the show to give audiences a truly original feeling.

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Texas

Where:
Kursaal Oostende
When:
Sat 19 Dec 2020

Texas is a Scottish pop rock band from Glasgow, featuring Sharleen Spiteri, Ally McErlaine, Johnny McElhone, Eddie Campbell, Tony McGovern, Michael Bannister and Ross McFarlane, best known for tracks such as Say What You Want and Black Eyed Boy. Formed in 1986, they released their debut album, ‘Southside’, in 1989, which hit #3 in the UK Albums Chart. The band’s second album, ‘Mothers Heaven’, came out in 1991, followed by ‘Ricks Road’, in 1993, but it was their third release, ‘White on Blonde’, which came in 1997, that gave the band their biggest success, reaching #1 in the chart. ‘The Hush’ was released in 1999, ‘Careful What You Wish For’, in 2003, and ‘Red Book’ in 2005, before the band went on hiatus. They returned in 2013, with ‘The Conversation’, which saw them shoot straight back into the Top 5. The band released their latest album, ‘Jump on Board’, in April 2017.

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10CC

Where:
Kursaal Oostende
When:
Tue 23 Feb 2021

Formed in 1970, 10cc were an all-star line up comprised of Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme, who were all successful, well-known musicians in their own rights before forming the band. 10cc were one of the most popular and well known bands of the '70s with their biggest hit I'm Not in Love reaching number one in the UK. The current line-up features co-founder Graham Gouldman (bass, guitar, vocals), Rick Fenn (lead guitar, bass, vocals), Paul Burgess (drums, percussion) – both of whom have been with the band since the mid-’70s – joined by Keith Hayman (keyboards, guitars, bass, vocals) and Iain Hornal (vocals, guitar).

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Clannad - 50th Anniversary Farewell Tour

Where:
Kursaal Oostende
When:
Tue 13 Apr 2021

During their multi-award winning career, Clannad sold more than 15 million albums worldwide. They not only end their career with a world tour, but also with a new anthology "In a Lifetime" that will be released on March 13, 2020. The legendary family band, formed by the "Brennan clan" including Enya and Moya, undoubtedly occupies a valuable place in the heritage of Irish music. Clannad's repertoire has unparalleled power and versatility. Elements of folk, folk rock, traditional Irish ballads and new age come together in a unique blend. A sound that drags you into the wildness and melancholy of the landscape of Donegal, where the roots of Clannad lie.

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ABBA Gold - The Concert Show

Where:
Kursaal Oostende
When:
Thu 6 May 2021

Possibly Europe's top Abba tribute show, founded in 1993. Abba Gold will take you back through the 70s and 80s with all your Abba favourites.

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New at Mu.ZEE: The Raoul Servais Wing

Where:
Mu.ZEE
When:
30/06/18 to 30/06/21

Raoul Servais (born 1 May 1928, Ostend) is a renowned animation filmmaker. In the early 1950s he studied applied arts at the Royal Academy of Fine Arts in Ghent (KASK). Servais painted and drew, and was very active in graphics too, but from the beginning his heart was always in animation films. The artist had neither experience nor financial means, but his curiosity and drive were enormous. In 1960 he was able to start work as a teacher at KASK, where he developed the first animated film course in Europe. In total, he made sixteen animated films. Between Havenlicht (Harbour Light, 1960) and Tank (2015) there is a gigantic evolution in style and technique. With each new film production, you feel his curiosity for new and hitherto unknown ways of creating imagery and atmosphere. Raoul Servais has won many international film prizes, such as the Palme d’Or in Cannes (Operation X-70, 1971 & Harpya, 1979) and the Primo Premio in Venice (Chromophobia, 1966). Servais’s love of animation is a shared love. As of summer 2018, it can be enjoyed on a permanent basis in the Raoul Servais Wing of Mu.ZEE. A large selection of original documents, (cellophane) drawings and films will have a permanent place there. This wing of the museum is not intended to be the end destination for the rich oeuvre of this star of the film industry, but a new start, an inspiring place for young filmmakers.

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An unfinished symphony. Polyphony in the collection.

Where:
Mu.ZEE
When:
30/11/19 to 07/06/20

Mu.ZEE launched a collection valuation process in November 2018. Mu.ZEE employees thoroughly went through and examined part of the museum’s collection in collaboration with various partners in the socio-cultural field. The significance of the collection and how various works of art are of value to the museum were reflected on and contemplated. In the autumn of 2019, Mu.ZEE will review the outcomes of this participatory project. The results achieved will be presented at an exhibition that provides a splendid perspective into the museum's activities and collection, along with a host of new issues and rationales that sweep the public along on a journey through Mu.ZEE’s history and its future. What does it mean to value a collection? Which criteria do we adopt during this type of valuation process? What do we know and how should we proceed? The museum's mission and vision are what shape the theoretical framework of the valuation project. As a museum of modern and contemporary art in Belgium, we have a role to play in society. By valuing our works of art, we imbue these creations with meaning and contextualise them. We raise awareness about our artworks and attempt to come up with new interpretations and connections that we can present to visitors through exhibitions and digital access to the collection. On the one hand, our valuation was carried out by an internal valuations team, while on the other, Mu.ZEE relied on an external sounding board that is part of its broader network. We are interested in telling you about the participatory approach we adopted for this pilot project. But above all, we would like to invite you personally to help us value a work of art or an ensemble. Because valuation isn't just the task of a single person...

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Vincent Meessen & Samson Kambalu - History without a past

Where:
Mu.ZEE
When:
02/02/20 to 17/05/20

May 1968 is usually associated with uprisings and the student riots in Paris. Yet there was much more going on, and not only in the West. Protests were erupting all over the world, like a polyphonic scream that things must change. A ‘revolution’ was needed and one of the most striking voices belonged to the Situationists. This international avant-garde movement was strongly opposed to the prevailing consumer society and used all kinds of propagandistic strategies such as manifestos, pamphlets, films, slogans and public actions to ignite that revolution. Vincent Meessen and Samson Kambalu bring the movement’s approach and its resonance in contemporary society together in History Without A Past. The seed for this exhibition was planted – unconsciously – during the Venice Biennale of 2015, in which both artists presented work inspired by this international avant-garde movement. Samson Kambalu is a researcher, author, filmmaker and above all a visual artist. His films and installations reveal a profound interest in mixing and blurring different cultures and histories. With his multidisciplinary installations and videos, Vincent Meessen aims to feed our Eurocentric view of history with new and polyphonic insights. In History Without A Past, they both gather stories that originated in the margins. History is usually written by victors. What is handed down is a mere construction, based on selection and interpretation. The position of the historian holding the pen is of equal importance. The past isn’t something that we leave behind. Its interpretation, however, is a task that lies before us. Here, too, several histories emerge that are usually told in isolation. Meessen and Kambalu invite us to wander through the past and to feed it back into the present. Along the way we become acquainted with a number of fascinating figures, whose significance is rewritten according to the dialogue they enter into with each other and also with us, the visitors.

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