Agenda: to see and to do, museums and exhibitions and music in Ostend

You searched for: tomorrow zien en doen musea en tentoonstellingen muziek
14 resultaten

James Ensor Recomposed by Athos Burez

Where:
The James Ensor House
When:
01/12/20 to 18/04/21

Award-winning art photographer Athos Burez tackled 'The Baths of Ostend', the world-famous painting by James Ensor, and gave it his own interpretation. Hundreds of actors were needed for this project. Quite a feat!

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New at Mu.ZEE: The Raoul Servais Wing

Where:
Mu.ZEE
When:
30/06/18 to 30/06/21

Raoul Servais (born 1 May 1928, Ostend) is a renowned animation filmmaker. In the early 1950s he studied applied arts at the Royal Academy of Fine Arts in Ghent (KASK). Servais painted and drew, and was very active in graphics too, but from the beginning his heart was always in animation films. The artist had neither experience nor financial means, but his curiosity and drive were enormous. In 1960 he was able to start work as a teacher at KASK, where he developed the first animated film course in Europe. In total, he made sixteen animated films. Between Havenlicht (Harbour Light, 1960) and Tank (2015) there is a gigantic evolution in style and technique. With each new film production, you feel his curiosity for new and hitherto unknown ways of creating imagery and atmosphere. Raoul Servais has won many international film prizes, such as the Palme d’Or in Cannes (Operation X-70, 1971 & Harpya, 1979) and the Primo Premio in Venice (Chromophobia, 1966). Servais’s love of animation is a shared love. As of summer 2018, it can be enjoyed on a permanent basis in the Raoul Servais Wing of Mu.ZEE. A large selection of original documents, (cellophane) drawings and films will have a permanent place there. This wing of the museum is not intended to be the end destination for the rich oeuvre of this star of the film industry, but a new start, an inspiring place for young filmmakers.

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An unfinished symphony. Polyphony in the collection.

Where:
Mu.ZEE
When:
30/11/19 to 31/01/21

Mu.ZEE launched a collection valuation process in November 2018. Mu.ZEE employees thoroughly went through and examined part of the museum’s collection in collaboration with various partners in the socio-cultural field. The significance of the collection and how various works of art are of value to the museum were reflected on and contemplated. In the autumn of 2019, Mu.ZEE will review the outcomes of this participatory project. The results achieved will be presented at an exhibition that provides a splendid perspective into the museum's activities and collection, along with a host of new issues and rationales that sweep the public along on a journey through Mu.ZEE’s history and its future. What does it mean to value a collection? Which criteria do we adopt during this type of valuation process? What do we know and how should we proceed? The museum's mission and vision are what shape the theoretical framework of the valuation project. As a museum of modern and contemporary art in Belgium, we have a role to play in society. By valuing our works of art, we imbue these creations with meaning and contextualise them. We raise awareness about our artworks and attempt to come up with new interpretations and connections that we can present to visitors through exhibitions and digital access to the collection. On the one hand, our valuation was carried out by an internal valuations team, while on the other, Mu.ZEE relied on an external sounding board that is part of its broader network. We are interested in telling you about the participatory approach we adopted for this pilot project. But above all, we would like to invite you personally to help us value a work of art or an ensemble. Because valuation isn't just the task of a single person...

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The James Ensor House

This newly created experience centre contains James Ensor’s original house and five interactive adventure spaces. Bring Ensor’s paintings to life, admire his interior decorations and carnival masks, look through his letters and photographs and then take a peek at his authentic home and studio. At home with Ensor. Like to visit this attraction at a discount? Print your free Coast Pass now on www.kustpas.be/home/register.

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Ostend City Museum

The museum tells you Ostend’s fascinating life story and also casts light on its future. A host of objects, posters, documents and multimedia applications reveal the secrets behind the development of the city, its tourism, fishing industry and shipping. Discover the Ostend of former times and the most famous resident of the premises, Louise-Marie, the first Belgian queen. She shows a strong presence, and even has her say.

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Mercator

Arctic traveller Adrien de Gerlache designed this three-master which was built in Scotland. The Mercator had only two commanders and made 54 voyages. In 1956 it repatriated the remains of Father Damien from Molokai. In 1960, it sailed into the harbour of Antwerp and in 1961, it was equipped as a museum ship. Since 1964, it has been the pearl in Ostend’s crown. Like to visit this attraction at a discount? Print your free Coast Pass now on www.kustpas.be/home/register

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Museum Amandine

April 3rd 1995. On this day the Amandine entered Oostende harbour for the last time. On this day it dropped anchor for the very last time. The crew disembarked, swallowed hard and went home without looking back. The last page in Oostende's book on Iceland Fishing had been turned. Now, 13 years later, the Amandine has started her second career, a career as an interactive museum. It has taken two years of hard and concentrated work in the old shipyard 'Seghers' to restore the...

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Kursaal Oostende

The building dominates the view at the Albert I promenade. The Casino, a design by Leon Stynen (1953) stands on the spot where in 1875 the first casino already stood. The latter was destroyed during WWII. After the war it would still be eight years before the current building was erected. This strikingly large building can boast being the largest in Belgium and is a typical example of modernism. The eye-catchers are of course the murals by Paul Delvaux. On 17th December 2004, the renovated...

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Ensor en Spilliaert museumvleugel. Twee grootmeesters uit Oostende

Ostend and James Ensor are inextricably linked. Ensor loved Ostend: the city served as his muse and inexhaustible source of inspiration. He loved it for its crowds, the tempestuous North Sea, the carnival that painted the streets in festive colours each year. The name of the painter Léon Spillaert, twenty years his junior, is also connected with this Queen of Seaside Resorts. His nocturnal rambles through the city and long walks along the beach spurred him to create his best works, dark and...

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Venetian Galleries

In 1900, Belgian King Leopold II commissioned architect Henri Maquet to design the first royal gallery: an L-shaped, closed and covered walkway between the royal villa and a large octagonal salon. Nowadays it is known by the name ‘Venetian Galleries’, referring to Venice’s classicist architecture. When the Belgian royal family decided they would no longer use their coastal residence, Ostend was given the concession of the entire complex and resolved that the building be used for cultural...

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